Tuesday, June 2, 2020

A month of swing from TCM

Turner Classic Movies (TCM) was invaluable during my research phase; they had — and continue to have — numerous titles that couldn't be found anywhere else. Best of all, TCM occasionally offered "theme programming" that dovetailed nicely with my focus.

This month's TCM Spotlight is "Jazz on Film," which brings a smile. Monday and Thursday evenings through June 25 will feature jazz-enhanced cinema in a variety of categories: "Classic Jazz Scores," "International Jazz," "Jazz Noir" and several others. Full details, along with brief descriptions of all titles, can be found here.

Mind you, not all titles fall within my purview; I didn't include biographies, conventional dramas or musicals. But numerous entries are familiar friends, and — as often is the case with TCM — a few are new to me. (Looks like I may need to investigate early Japanese crime cinema!)

Monday evening (June 1) began with a powerful quartet: A Streetcar Named Desire (1951), The Man with the Golden Arm (1955), Anatomy of a Murder (1959) and Bullitt (1968). All are covered at considerable length in my first volume, thanks to awesome scores by (respectively), Alex North, Elmer Bernstein, Duke Ellington and Lalo Schifrin.

Here's what we can look forward to, during the rest of the month. Entries marked with an asterisk (*) are included in my books.

Thursday, June 4
8 p.m. — Cabin in the Sky (1943) 
10 p.m. — Stormy Weather (1943) 
11:30 p.m. — All Night Long (1962) 
1:15 a.m. — A Song Is Born (1948) 
3:15 a.m. — High Society (1956)

Monday, June 8
8 p.m. — A Man Called Adam (1966) 
10 p.m. — Young Man with a Horn (1950) 
Midnight — The Five Pennies (1959)
2 a.m. — Some Like It Hot (1959)
4:15 a.m. — The Connection (1962) *

Thursday, June 11
8 p.m. — The Glenn Miller Story (1954) 
10 p.m. — The Gene Krupa Story (1959) 
Midnight — Sweet and Low-Down (1944) 
1:30 a.m. — Around the World (1943) 
3 a.m. — Ship Ahoy (1942)

Monday, June 15
8 p.m. — Odds Against Tomorrow (1959) *
10 p.m. — Farewell, My Lovely (1975) *
Midnight — The Man I Love (1947)
2 a.m. — I Want to Live! (1958) *
4:15 a.m. — Crime in the Streets (1956) *

Thursday, June 18
8 p.m. — The Warped Ones (1960) 
9:30 p.m. — Elevator to the Gallows (1958) *
11:15 p.m. — Knife in the Water (1962) *
1 a.m. — Pale Flower (1964)
3 a.m. — Black Orpheus (1959, and of significance to Vince Guaraldi fans!)

Monday, June 22
8 p.m. — Jazz on a Summer’s Day (1959)
9:30 p.m. — Thelonious Monk: Straight, No Chaser (1988) 
11:15 p.m. — Jammin’ the Blues (1944)
11:30 p.m. — Shadows (1958)
1:15 a.m. — Mickey One (1965) *
3:15 a.m. — Blow-Up (1966) *

Thursday, June 25
8 p.m. — New Orleans (1947)
9:45 p.m. — Lady Sings the Blues (1972) 
12:15 a.m. — Pete Kelly’s Blues (1955) *
2 a.m. — Blues in the Night (1941) 
4 a.m. — Rhapsody in Blue (1945)

If you missed any of Monday's quartet, bear in mind that most films on TCM also are available for streaming for a short period after they air, either via the TCM web site or the "Watch TCM" app for Roku or iPads. (One must already receive TCM via a TV provider, in order to access the app.) Films are available for one to four weeks, which varies. The stream includes the most recent host introduction.


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