(Alfred Hitchcock was a notable exception. His vision of a film was so precise, that he almost never shot more than he used ... which made it impossible, during post-production, for potential "tampering hands" to mess with his cut.)
During the three years spent gathering films and TV shows that fit the parameters of this project, some were included more out of personal desire, than an adherence to my own fairly rigorous rules. When I ultimately emerged with a manuscript that was five times what my contract specified, and it remained almost three times too long after judicious editing, McFarland graciously permitted the single-book contract to be re-written as a two-volume set. But even though they tolerated a slightly higher per-book word count, I still had to trim some more text. The easiest — and least painful — solution, in order to retain the documents' integrity, was to lose some of those "marginal" entries.
They'll be resurrected here, from time to time. Think of this as an ongoing "author's cut," or a series of little bonus features. They'll also open a window to process, because these are the full-length, first-draft versions of each essay, prior to two rounds of editing. (Very few entries ran anywhere near original length, by the time of the manuscripts' final draft; I initially included a lot of production and/or plot detail — as you'll see here — that ultimately proved superfluous.)
I also get to include a lot more pictures...